#Astropad studio ipad mac#

I’ve noticed that if I dive headfirst into a painting without a general blueprint, my proportions can get a little funky. I always start out with a loose sketch to map out landmarks and proportions.

#Astropad studio ipad mac#

Luna Display dongle to extend Mac desktop onto iPadġ2 Digital Art Drawing Exercises for Your iPad Step 1: Give yourself a blueprint.Astropad Studio app to use touch gesture Photoshop shortcuts on my iPad.But determination won over uncertainty, and here we are! So, let me walk you through how I made it to the finish line 🙂 My digital art tool setup Considering my last video, where I painted a little Mediterranean doorstep, it felt like quite an enormous leap in such a short span of time: going from one tree in front of a mostly blank wall, to an entire forest set among multiple interwoven cascades of water. When I first picked out this landscape, I wasn’t confident about what I’d just signed myself up for. Today, we’re painting this waterfall in Vietnam. Though landscapes and human subjects initially appeared immeasurably disparate from one another, I’ve learned that there actually can be quite a lot of overlap in the painting process, the light and shadow concepts, and the ways in which you can distill complex ideas into more manageable pieces. It’s been such an exciting journey so far. Arming myself with YouTube tutorials and art classes galore, I’ve been tackling more landscapes and architecture - things that, up until a few years ago, I’d have thought myself incapable of rendering and too nervous to go near. So lately, I’ve tried to take some concrete steps towards that discomfort.

In college and recent years, I relished the challenge of transcribing the delicate and emotional range of the human body onto blank canvases.īut the more I practiced painting people, the more I realized how much my skills were lagging when it came to painting any other subject matter and the more daunting the idea of trying something outside of my comfort zone became! Yet, these limitations started to gnaw at me, growing more obvious and continually stifling my artwork so that I could no longer ignore the gaping holes in my skill set. In high school, I was fascinated with capturing facial expressions in charcoal. Even in preschool, I remember once getting in trouble for drawing a nude figure. Throughout my entire art career, I’ve always been really invested in drawing and painting human subjects.